Martha’s Vineyard: A Photographic Watershed

Indeed, the obvious fact is that the last post was four months ago. I will not bore you with the details but it was a busy four months with spring yard work, planning and completing two two-weeks vacations in the Baltic and Martha’s Vineyard, as well as simply doing the daily routines.

I had visited Martha’s Vineyard several times before and was inspired by both land and sea scapes, with some good photos forthcoming from these visits. However, this past July I had the opportunity to actually rent a seaside cottage among the sand dunes on the north shore of Aquinnah, providing such easy access to the beach and shore that I felt that I was a denizen of this idyllic place.

Wild life was abundant and everywhere, particularly all sorts of shore birds, deer, rabbits, and while I did not catch fish, there were signs of their presence due to multiple fishing boats of all sizes as well as people surf fishing. The surrounding air and sea breezes in conjunction with the special light of this island punctuated the fact that you were in a special place full of wonder.

Energized by this atmosphere I was constantly out and about shooting photos. So much so that I made four night and early morning excursions to catch the Milky Way, moon, and the early morning golden hour. I will speak of these in forthcoming posts.

The currently posted photo is of Gay Head Lighthouse captured after midnight. I had scouted this out earlier in day visits using Photopills, so was confidant that the resultant shot was possible. My wife insisted on accompanying me, which I accepted simply to have company and some assistance in setting up in the dark. My wife’s company serendipitously helped create this shot, for she had unwittingly provided some light painting of the lighthouse with a red light flashlight. The shot was taken with a Canon 5 DS using an EF16-35mm f/2.8L USM lens at 31.0 mm, set at f/2.8, 25″, ISO 3200, with post processing using DxO Photo Labs II, ACR, Photoshop CC 2019 with a gradient map, enhanced by Nik Viveza & Color Efex Pro.

Photopills: Absolutely Great

I have had the Photopills App for at least two years, and I have used various features of it (by the way, it is an app that is jammed packed with features and information; it really is the only app you need if you are a photographer, hands down). But I was somewhat intimidated on the more involved and powerful aspects of it, namely locating the Milky Way, Moon, and Sun based on certain geographical locations and times. So, I never used these more powerful features.

I finally relented and figured out how to use them by viewing the creative videos that Photopills has on its website. I was blown away at what I could accomplish with this tool (especially how I underutilized it).

My scouting schedule for trying to set up different photo shots for foreground and astronomical events ( e.g., moon, milky way) was accurately filled in for the next year, and gave me a definite schedule for shooting potentially great shots.

The currently posted photo is a serendipitous shot of part of St. Francis Basilica in Assisi, Italy at sunset time. The colors of this part of Italy are unique, and I had wished that I could have captured more of them. But I will have to wait for more magical moments in the future, especially if St. Francis grants this prayer. The photo was taken with a Canon 5DS, EF24-105mm f/4L IS USM @ 105mm, f/10, 1/320″, post processed with ACR, DxO PhotoLab2, Color Efex Pro, and using a Gradient Map.

Calm Within Chaos

The visions of my visit to Venice in the fall of 2018 still haunt me. There are so many moments which live in my visual memory that I was unable to give substance to as far as a concrete photograph. Maybe this is the intentionality that was spoken of in philosophy of previous decades. That is, my mind intending and capturing the world (or object thereof) and trying to give meaning or form or some kind of representation to it. In other words, to capture this reality in some concrete form that the mind perceives in so-called immaterial ideas.

The above tries to describe the process of me trying to take a photo of a unique experience and then translating this into a printed form, viz. photograph. The great photographers have successfully accomplished this process from what their mind’s eye has seen to what exists in their photographs. Every other aspiring great photographer is trying to imitate this process.

Venice was so unique and visually stimulating that it leaves one overwhelmed.

When in Venice I attempted to accommodate myself to its challenges, namely time of day, crowds, time pressure, unfamiliarity of surroundings. In other words, hit or miss “tourist photography.”

The posted photo provides somewhat of a counterpoint to the maddening crowd of Venice. That is, the quiet and calm of one of the finest hotels in Venice, Hotel Danieli. The hotel exists in the heart of the most intense tourist activity of Venice, i.e. right off the Riva degli Schiavoni.

[As an aside to my above post, I must note that in viewing one of Kelbyone.com videos, I was struck by the fact that it was filmed at the Hotel Danieli. Be that as it may, it is nice to know that my membership fee in KelbyOne pays for this type of corporate benefit.]

In any event, I am pleased to a degree that I was able to capture Calm within Chaos in Venice.

The posted photo was taken with a Canon 5Ds, with a EF24-105mm f/4L IS USM lens @ 24mm, f/6.3, Exposure Compensation -1.33, 1/50″, 6400 ISO, post processed with DxO Photolab 2, ACR, DxO Nik2018 Viveza 2, and a Gradient Map.

Failed Photo Shoot

I mustarded all the energy and creative drive within me to go out on a mid-winter’s night to an island in the middle of Narragansett Bay to try to photograph a panorama of the Newport Bridge under the arch of the Milky Way. I had used the app PhotoPills to determine that the Milky would indeed be in this position as it had been. The trouble was that I was shooting to the northeast from Jamestown, RI Center which naturally had the background of Newport and the U.S. Naval Base which was brightly light affording a ton of light pollution to my ill-planned shoot (since I thought this would not be that much of an issue). It was!

The other fact of my failed photo shoot was that I was shooting at c.2:30 AM with a 15º temperature. I thought I was well dressed for the elements, except I underestimated that my hands (not gloved) would be exposed for over an 1 1/2 hour time period. Needless to say, I panicked (to a degree) at that time (at the end of 1 1/2 hrs.) since I did not have any strength in my hands. Luckily by that time I had retreated to my car but still had trouble retrieving the car keys from my jean pocket.

Lesson learned. Do not underestimate the elements, as well as, pay attention to the shooting environment of your target figure (in my case, the light pollution of the city).

This posted panorama was taken with a Canon 5DS, using a Canon EF16-35mm f/2.8L USM @ 25mm with an f/2.8, 20″, ISO 160. These settings are a bit out of the ordinary for shooting the Milky Way but I was trying to adapt to the light pollution. So much so, that I even used a graduated 3-stop neutral density filter to deal with the light pollution. Post processing was done with DxO Photolab 2, Adobe CR, and Color Efex Pro 4.

Addendum: The photo above does not show the Milky Way simply because of my camera settings. At the very least the ISO should have been 3200, and a shutter speed of 20-30″ to capture the stars. I somewhat captured the bridge but at too great a cost of a successfully planned photo. In other words, details matter.

Patriots: The Legacy Continues

How does one photograph an airplane to make it interesting? It has to be in the context that the plane finds itself in. For example, a misty morning with trail streamers following the airplane’s wings as it ascends or descends. Or, it may be a lightening burst near the plane or around the plane with other ominous clouds and rain.

But on a clear day an ordinary plane landing or takeoff is uninspiring as far as a photographic moment.

The current photo was taken on a beautiful day in the first week of February at Green State Airport in Warwick, RI (officially listed as in Providence), with actually balmy weather. So, while the atmospheric conditions were perfect for a photograph at 2 PM that day, there was no visual drama to capture the human eye.

Except, if one searches out the human story behind this plane landing. Which just happens to be a most historic moment in the history of sports. Namely, the capturing of a 6th Lombardi Trophy by the New England Patriots in the LIII Super Bowl of 2019.

The photo of the Patriots plane landing at Green State Airport was the homecoming of the 2018-19 Patriots Team landing after capturing the Lombardi Trophy after overcoming all odds in doing so. I will let History tally the greatness of this accomplishment.

All I wanted to accomplish in taking this photograph was capturing that moment of arrival. The use of multiple planes was style imposition to elicit the anticipation of welcoming home a Champion.

The photo was taken with a Canon 5DS for the six planes in the current posting. Each plane photo had manual settings of f/11.0, 1/640″, with ISOs of 200 or 250, using a Canon EF100-400mm f/4.5-5.6L IS II USM @ multiple settings of 400mm, 312mm, post processing with DxO Photolab 2, Adobe Camera Raw 2019, Viveza 2, DxO Nik Color Efex Pro 4.

The Allure of Venice

While I still have not discarded the regret of not capturing my pre-trip imagined images that I would have taken (and, did not), I’ve come to the realization that that goal was quite difficult to achieve. Let me explain. The Italy trip that I had taken proceeded from northern Italy (Lake Como) to southern Italy (Sorrento) with intermediate stops in Verona, Venice, Ferrara, Florence, Siena, Montepulciano, Assisi, and Rome. All of this occurred within 14 days. On hindsight, this is a lot of geography packed into a short time period. Couple this with the fact that this was not a dedicated photo shoot(s), but a tour of over 30+ people with other interests other than photography.

What the above tells me is that this recent trip was essentially a scouting vacation which exposed and allowed me to be able to zero in on future trip(s) to more adequately capture the spirit of Italian Wonder.

One of those future trip(s) definitely would be Venice, with Florence, Assisi, and Rome not far behind. Also, let’s not forget Positano, as well as, Puglia. All of this is a great segway to the fact that Italy runs deep and true in its beauty and soul.

Venice, though, is the most visibly obvious example of Italian uniqueness and beauty. There is a draw and enchanting allure that defies expression. For myself, I want to explore and discover that vacuous spirit which seems to linger and then vanishes. I want to capture its uniqueness and passing presence.

The currently posted shot of Venice was taken with a Canon 5DS, using a EF24-105mm f/4L IS USM lens @ 47mm, f/8.0 1/5″, -0.67 exposure compensation, 100 ISO, post processed with Adobe Camera Raw, Photoshop CC using a Gradient Map, DxO Nik Color Efex Pro 2018.

Patriots: The Enduring Legacy

It’s been an unusual occurrence, or should I say, it’s been an unusual series of occurrences to witness the continuing success of the New England Patriots over the last two decades. Not only have they succeeded in winning their Division, but also the American Football Championship multiple times (which amounts to being in the Super Bowl every other year for the last 18 years), as well as winning the Super Bowl five times.

They are at it again this year, despite all odds with reports of aging players, discord within the team, and rising levels of skilled players on other teams.

I’ve always found following the Patriots to be a self-rewarding adventure simply because, I believe, they are reality-based and sincere, meaning they do not engage in the hype of today’s media advertising, but are concerned with the basics of football, i.e., understanding and preparing for the other teams strengths and weakness, and then having players who will work to establish teamwork.

All of the above is simply a prelude to this: I often attend the Patriots Summer Training Camp. It’s a wonderful opportunity to engage the players because they are so close to the fans on the practice field and because one gets to experience the raw force of talent and skill (i.e., anyone can succeed at this time, an un-drafted rookie or a third round draft player, or whatever).

This last year has been a most trying year for Patriots fans, since at many points during the season, it had appeared the team was in decline and not with the potential force of other years. However, they have managed to reach the Super Bowl once again. Quite Unbelievably!

The posted photo is from Training Camp in the Summer of 2018, with Bill Belichick, Ernie Adams (Director of Football Research), Dante Scarnecchia (Offensive Line Coach),  Tom Brady, and Josh McDaniels (Offensive Coordinator). The shot was taken with a Canon 5Ds, EF70-200mm f/4L IS USM @ 160mm, f/10, 1/250″, ISO 320, post processed with DxO Optics Pro 11, Adobe Camera Raw, Photoshop CC, using a Gradient Map, and Nik Color Efex Pro/

Restoring Equilibrium

The spirit of creativity had left me lingering after my immersion into the Italy culture and countryside. This, by the way, was not due to Italy itself, but to the lack of trying to capture my experiences visually. I felt that I had not accomplished what I wanted. I have been trying to overcome the aftermath of this failure to feel fulfillment in the Italian adventure in my prints, and I believe I may be on my way to shaking this ghost.

Many time during the Italy vacation I used my iPhone SE simply because it was near at hand and less cumbersome than my SLR camera. I must say that compositionally and spirit-wise the iPhone SE captured the moment better than the SLR.

The currently post photo of a night street scene in Rome is an example of capturing the Italian moment, as it were. The shot was taken with an Apple iPhone SE, post processed with DxO Optics Pro 11, Adobe camera Raw, Photoshop CC, a Gradient Map and a PS filter Diffusion Glow.

Pieces & Piecing It Together

It’s been over three months from my epic tour of Italy where I took over 2700 photos. That tour or at least the photographic part of it has been haunting me through that whole time frame. Despite my pre-trip preparations and setting up shooting strategies, I must say that they proved not to be that effective. Was it the strategy, my implementation of that strategy, or other forces that made the shooting aspect less than optimal in its results is hard to say.

I’ve gained some perspective over the three months of processing and thinking about the photos I had taken, and while initially I was quite despondent regarding my results, I have come to see that, in reality, I probably could not have done any better considering the circumstances of trying to shoot “professionally” in a less than optimal environment.

What I am trying to say is that I have had the task over the last few months of shifting through the hundreds of photos I’d taken, and evaluating them more microscopically, as it were. What I discovered is that many times my approach and composition of shots were great, but the ever constant out of focus or blur was present. I anticipated the possibility of these types of circumstances (where I might be rushed in places with new and different lighting situations) and try to compensate for this. My so-called anticipated solution to solve this potential problem was to shoot in manual mode, setting a high shutter speed with an aperture that I could quickly adjust for low light vs high light, and then simply put the ISO on automatic. For some reason(s) this often failed me. I probably would have more keepers if I had used the strategy of using Automatic Mode.

The above being said, I managed to have some success, but not with out working in post-processing to get it. Thus, the above title to this post, Pieces & Piecing It Together. The bright side to this current phase of less than optimal in-camera shots was that I was forced to beef up on my post processing skills. Personally, I much rather get it right in the camera, first.

The current photo to this post is that of wallpaper at the Villa Carlotta on Lake Como, Italy. The Villa was a most wonderful place with artisan craftsmanship throughout. The wallpaper had embroidery type details to cover the seams. There were several types of these embroideries in various room. For this photo I compiled three of them to maximize the effect they produced from viewing them in situ. The photos was taken with a Canon 5DS, EF24-105mm f/4L IS USM @ 65mm, f/5.6, 1/100″, -0.33 Exposure Compensation, ISO 6400, post processed with DxO PhotoLab, Adobe Camera Raw, Photoshop CC, and Color Efex Pro.

Reloading & Revitalizing

Since my last post several months ago a lot of water has figuratively flowed beneath my bridge, with a fifteen day tour of Italy (Lake Como down to Sorrento), Thanksgiving and Christmas with all their attendant activities.

Photographically, I was quite busy processing the 2700 or so photos that I took in Italy. I thought I was prepared for the rigors of a group tour, since I preplanned and scouted (via internet) areas I would be visiting. The strategy was to take many more photos than I normally take, since this strategy would somewhat circumvent the fact that I would not be shooting under ideal conditions (e.g. little time to shoot, ill placed locations not under my control, etc.). What I was not prepared for were the massive crowds in all of the places I visited, even though this was during the off-season (viz., shoulder season). Also, a significant amount of time was taken up in traveling by bus, which cut down on shooting opportunities. One could also say that the crowds themselves were tiring, trying to navigate or avoid them.

I had high hope that I would have more photo opportunities than I did on the Italy sojourn, and I was disappointed the sparse amount of keepers. For some reason many shots were blurry or the settings were wrong, something I still am trying to figure out.

So, it has been a time of soul searching, trying to reload and regain the spirit of successful shooting.

The currently posted shot is obviously of Venice in mid afternoon. While crowded with boats, it was far easier to find scenes without mobs of people. It was shot with a Canon 5DS, with a EF24-105mm f/4L IS USM @ 105mm, f/4.0, 1/2000″, -0.67 exposure compensation, and 200 ISO, post processed using DXO PhotoLab, Adobe Camera Raw, with Photoshop CC, a gradient map, and Color Efex Pro.